9.4.10

coasting



We have been all about
Easter vacation around
here, lately, and most
efforts have been going
to enjoying the time with
loved ones far and near;
sometimes you prep for
these things for weeks,
don't you, and then they
go by so very quickly?
That's pretty much the
case right now. While
we are still enjoying
the luxury of the next
few days of visits, and
I continue to coast in
posts (hence my pro-
clivity for sending you
elsewhere for the last
several pages at least) . .
well, thought I'd share
more favorites now &
say tschüss for a bit or so.


p&c




(I've added an illustration below -- a great
favorite by the exceedingly remarkable
Ivan Terestchenko -- that might better explain

Thank you, Little Augury,
for the image & your magnificent taste.)

$169,900 (via the Aesthete)



perhaps it's finally
time to set up boxes,
get out your packing tape,
call the moving van?


all because of this:

Marcel Breuer
in Canajoharie

Four Winds

via
(do stop by and see it)




6.4.10

Why I Paint . . .



They abound in the heavens and earths.




They are museums . . .




They are ground into artists pigments




Of almost every color.




...

excerpted from


by

M. B. Goffstein





31.3.10

wendy ewald



"I taught the children how to use Polaroid cameras to photograph inside their tiny, crowded rooms. I also asked the children to photograph their dreams. Uryi said he hadn’t dreamed since leaving Belarus; he wanted to make photographs of 'a police dream' he’d had back home." Wendy Ewald, from Photography Changes Personal History
(with thanks to royal quiet deluxe)

Heaven Arrives

They're here, courtesy of M. B. Goffstein.
(Spending time in Heaven is a good thing.)






ethereal
celestial
complete
divinity






tahoe in march
(snow beach at heavenly)



very happy

Boy, was I happy to read this.


Bobulate:
(simply marvelous)

27.3.10

so glad you made it


I can't stop thinking about this. Dominque Browning (the Dominque Browning of House & Garden) is blogging. And, just as she did before, she's got things to say and things to show us. Life changing things. She's already tackled several subjects that most folks don't feel comfortable talking about and done it in such a way that (just as we saw in House & Garden during the years that she was at the helm) you know you're looking through a window to a life that you need to see. For so very many years, Ms. Browning's magazine was one you went to for sustenance: she brought us the best. And now she's here, and bound to do it again. And I am so very, very glad.


(and, in the nyt magazine today, Losing It)





25.3.10

Duncan Hannah | On His Work







6:30 March 31

"Duncan Hannah is a New York-based figurative painter who has had 50 solo exhibitions in the United States & England." More here and here. (Splendid!)

24.3.10

nowhere you can be that isn't where you're meant to be



Both of these books arrived at our little abode
in the last few days and I am in love, I cannot
help but admit it. Hadley Head, for sure (and
this copy is signed! 'Tho not to me. Heh. But,
hey, it was online and such a good price...how
could I not?). And Lagerfeld's bookshelves (&
paintbrushes!) in The Selby. What's not to adore?

I realize the books may seem a like of bit of an
odd couple, but something about the two of them
getting here together gives me great pleasure.

[all you need is love]






20.3.10

farewell, centurion


Long before fixies were cool and known by every hipster in the universe our boys were working on them (stems and tri-tools, tubes, spokes and the occasional saddle spread across the cement pad of our northern California patio) in the backyard.

That patio, actually, was a sort of smorgasbord of bikes. It was crowded, for many years, with bikes and boys and happy laughter. It was a good time.

Last night, one of the finest and oldest and most treasured of their bikes was stolen. It had been loaned to a friend for the evening, and seemed to disappear by strange happenstance. Both boys (he who loaned and he who borrowed) are sad.

I woke up this morning with a terrific headache. We'd stayed up 'til 2 a.m., had gone back to the scene of the crime, driven 'round the safe neighborhood it was being ridden in looking for the bike that had been left unattended for a few short minutes and (summarily) vanished.

My morning headache (as it mounted it's offensive and started to take over my feeling-shredded stomach) was not just about last night. Trying to dig a little deeper (the aspirin wasn't working), I realized that it was about loss and attachment. It was about (and this from a person who was born with the undesirable ability to cry easily) trying not to break into a gulping, wrenched-face sob the way a four-year old might if you'd stolen their last piece of Easter candy. So I'm sitting at the end of the bed thinking: I'm a grown woman. It was an old bike. The most important thing to do is to teach (as we always try to, I hope) our son that these things happen, they are sort of sign posts (the road of life is twisty).

But it was a beautiful, beautiful bike. And I let go a wretched sob knowing that there was going to be no other way to relieve the mini-migraine that was marching in. (It's taken me quite a while to realize that sometimes you don't need to keep all the pain in one place, that you can't; it will spread, whatever you do. Let it go or it wraps you up, a Havishamian web.)

That silly bike.

Why was it beautiful? Because it was loved.

And cared for by several people who loved each other.

And stationed, sitting right beneath our kitchen window, on the above-mentioned patio (so much of a fixture that I forgot it was there, usually).

Now I realize it was eye candy. (Clearly, the thief realized that, too; it was, reportedly, the only bike taken from a big ol' pile of unattended bikes.)

Which, surprisingly, brings me back to authentic home.

After spending a decade plus working in How Things Look, it's crept into my consciousness that How Things Look means very little compared to How Things Are.

How Things Look is ephemeral, transitory, and (often) misleading.

How Things Are is much, much more what I care about now. (I suppose what I always cared about, but I got confused. Don't we, sometimes?)

And I realized that being attached to that bike (or, in reality, being attached to the way my children loved that bike) means that it's station -- under the kitchen window -- meant Here is Love.

Because it was out in the open, and we didn't fuss and bleat and force the beloved bike to hide in the (over-stuffed) garage so that our suburban household looked catalogue-ready (it doesn't; it hasn't in a long time, perhaps it never did).

And, thankfully, as I sat on the down comforter sobbing like a four-year old, in a quick five minutes I reached something akin to a state of comfort. It was gone, we'll figure out what to do next (file a police report? Note, on craigslist, that it's stolen? Whatever). And we'll recognize this sign post for what it is.

The Havishamian web unravels. (This is how life gets better.)

Celebrate what we've got when we've got it, and know what's good about life when it's sitting right there at the kitchen window.

Farewell, Centurion. We'll miss you. We loved you.

(There is nothing better than being loved.)





image (a lovely old Centurion) found here
(will replace it with an image of the bike in
question as soon as we locate a good photo)