
Beatrix Potter
"Even before its publication in October 1902, Beatrix Potter believed she could ‘do better than Peter Rabbit’. She was eager to interest Frederick Warne & Co. in an idea for another project – a book of nursery rhymes, ‘in a style between Caldecott’s and the Baby’s Opera’.
From childhood Beatrix was an enthusiastic admirer of Randolph Caldecott’s picture books, published by George Routledge & Sons between 1878 and 1885.
In particular, she delighted in Caldecott’s exuberant sepia pen and ink drawings, which dramatically expanded the humour and scope of his story-telling.
Although Warne had insisted upon colour illustrations for The Tale of Peter Rabbit, Beatrix suggested juxtaposing colour and line drawings in a larger picture-book format: ‘Do you think everything has to be coloured now, or can one still have part in pen and ink?’
When Norman Warne, Beatrix’s publisher and fiancĂ©, died in August 1905 she abandoned her nursery rhyme book.
However, the larger format was adopted for several other books, including The Roly-Poly Pudding (1908).
Keen to ‘do pen and ink better’, Beatrix applied herself to mastering what Caldecott called ‘the art of leaving out’ – the ability to evoke movement, humour and expression with a minimum of pen strokes.
Her vigorous and expressive line drawings, printed in sepia in the first edition, were reproduced in black when the book was re-issued in 1926 in a small format and renamed The Tale of Samuel Whiskers."
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